This week at San Serriffe:
20.11.2014 Launch of TIERGARTEN by Johannes Schwartz
What do zookeepers feed a wild animal in captivity to keep it wild? How can this food be considered prey or sustenance when the animals are kept in a cultivated environment and no longer able, or necessitated, to hunt or forage? Johannes Schwartz explored this premise in Moscow’s city zoo, where he photographed slabs of fish, hunks of raw meat, heaps of vegetables and chunks of bread – foods commonly found in our diets, yet hardly suggestive of human consumption when presented in such a way.
In printing the images, Schwartz experimented with dithering and an unorthodox use of colours, effectively using the risograph as a painting tool and exploiting the results.
05.11.2014 The Book Society, a talk by Helen Ku and Lim Kyung Yong
A talk about The Book Society
by Helen Ku and Lim Kyung Yong
Helen Ku and Lim Kyung Yong form the publishing house Mediabus based in Seoul, South-Korea. Under this flag they organize exhibitions, publish books, work on editorial projects and run the book shop The Book Society.
At San Serriffe, they will give an informal talk about the Korean publishing scene, the activities of The Book Society and their new project ‘A—Z’, which they are developing for the 2015 edition of the graphic design biennial Typojanchi. A—Z is a newsletter project that regards the city as an archive of typography, and features contributions by Hans Gremmen and Sandra Kassenaar & Bart de Baets, among many others.
This evening is organised with the generous support of Casco — Office for Art, Design and Theory.
03.10.2014 Publication launch of FATHER, CAN’T YOU SEE I’M BURNING?
A project curated by the participants of de Appel Curatorial Programme 2013/14
The publication is the last chapter of the project Father, Can’t You See I’m Burning?, curated by the participants of de Appel Curatorial Programme 2013/14.
Participants and contributors: Sophia Al-Maria, Mirene Arsanios, Marinus Boezem, Renata Cervetto, Sebastian Cichocki, Dina Danish, Kris Dittel, Chris Fitzpatrick, Justin Gosker, Jan Hoeft, Krõõt Juurak, Lara Khaldi, Yazan Khalili, Sarah van Lamsweerde, Vesna Madzoski, Mardi, Ieva Misevičiūtė, Robertas Narkus, Emma Panza, Pavel Pepperstein, Michael Portnoy, Aneta Rostkowska, Jan Rothuizen, Aaron Schuster, Janek Simon and Laurent-David Garnier, Kate Strain, Eloise Sweetman, Reinaart Vanhoe, Jan Verwoert, Young-Hae Chang Heavy Industries, Katarina Zdjelar and Arnisa Zeqo.
Designed by Marc Hollenstein.
‘Father, Can’t You See I’m Burning?’ was a project curated by the participants of de Appel Curatorial Programme 2013/14: Renata Cervetto, Kris Dittel, Lara Khaldi, Emma Panza, Aneta Rostkowska and Kate Strain. It unfolded in multiple parts: a prelude, a show, a series of events, footnotes and this publication. These events brought together a score of newly commissioned art works and texts, to be presented across time and space. The impetus for the creation of these new works has been conjured from the ashes of historical non-events and their potentiality.
02.10.2014 Launch of SHUT UP I’M COUNTING!
a publication by Felix Salut
with a lecture at 8pm
How on earth did Tara and Ohio end up in this strange world, consisting mainly of signs, symbols and fragments? They look for the sign “X”, which is supposed to lead them to the EXIT. Guided by an oracle that gives enigmatic directions, and distracted by a point that keeps devising new obstacles, they wind up in comical situations. Tara, who wants to grasp this world through combinations, is annoyed by Ohio, who has a number tic. “Shut Up I’m Counting!” is a project that combines film, text and graphics. In the form of a film script with 32 scenes, Felix Salut plays with different ways of translating a film into a book. The script and stills are assembled from typographical symbols, transforming the fictional story on paper into a film which one would love to see in full length.
“Shut Up I’m Counting!” was awarded the 2014 Walter Tiemann Prize and is published by Spector Books.
11.09.2014 Re-opening with V. Vale
“I sold my typography business to publish full time.”
V. Vale in conversation with Jeffrey Babcock at 8pm
V. Vale is on tour in Belgium and Holland and he makes a stop at San Serriffe this Thursday. As an interviewer/writer/editor/
publisher, Vale has been giving his counterculture viewpoints in various publications for over 30 years.
Vale’s publishing activities started with the publication of Search and Destroy in the late seventies. The first issue was produced with 100 dollar raised from both Allen Ginsberg and Lawrence Ferlinghetti. This San Francisco-based zine reported on the then-current punk subculture and included interviews with Cramps, Devo, Dead Boys, Nico, Throbbing Gristle, J.G. Ballard, Dead Kennedys, William Burroughs, The Clash, and many, many more.
RE/search magazine and RE/search publications followed S&D, covering topics as pranks, obscure music and films, industrial culture, authors J.G. Ballard and William S. Burroughs, modern primitives and many other underground topics.
Vale will be interviewed by Jeffrey Babcock, alternative film curator and cultural activist, about his practice, counterculture strategies and most likely also about his 1985 publication Incredibly Strange Films.
Organised with the generous support of Objectif Exhibitions and Chris Fitzpatrick.
25.07.2014 Summer Break
San Serriffe is closed for summer holidays until end of August.
24.07.2014 Launch of Social Life of the Record #2: METAL IDEAS
Launch of Social Life of the Record #2: METAL IDEAS
Edited by Felicia von Zweigbergk
The Social Life of the Record: Metal Ideas gathers texts by Felicia von Zweigbergk, Pieter Kock (DJ Peacock), Janine Armin, and Ärkan Nordin, dealing with the influence of listening experiences on moods and behaviors, the death of morality, atonality in horror movies, amongst other questions.
Artist and musician Felicia von Zweigbergk, chairman of Lost Property art space and Butcher’s Tears microbrewery investigates muzak as a concept of style; DJ Peacock, founder and searcher of Berlin’s bar “O Tannenbaum,” remembers the birth of ACID music with concision; Janine Armin, writer, editor brings Rameau’s nephew on the table; and Swedish beer brewer/musicologist Ärkan Nordin discusses the merits of deliberately uncomfortable music.
This issue of The Social Life of the Record comes in a special edition with a cassette tape supplement by Felicia von Zweigbergk. The tape sleeve is typeset with Will Holder; the sixteen tracks are for Dawn Crosby and Shulamith Firestone.
The Social Life of the Record is an occasional, non-subscription series of texts by musicians, fans, critics, collectors, dealers, label owners, etc. — reflecting on recording, releasing, listening to, filing, flipping and DJing records today.
Published by Paraguay Press
10.07.2014 Launch of COMPENSATING TRANSIENT PLEASURABLE EXCITATIONS by Koenraad Dedobbeleer
Launch of COMPENSATING TRANSIENT PLEASURABLE EXCITATIONS
Roma Publication 224 by Koenraad Dedobbeleer
with a talk at 8pm
+ launch of Gerrit Oorthuys’ Weg is Weg 12 / Rietveld Academie
+ records from Gistel (B), with DJ Lieven Lahaye
COMPENSATING TRANSIENT PLEASURABLE EXCITATIONS was published in conjunction with the exhibitions:
‘The Desperate, Furiously Positive Striving of People Who Refuse to Be Dismissed’ held at Extra City Kunsthal, Antwerp from April 4 till May 25, 2014 and
‘A Quarrel in a Faraway Country Between People of Whom We Know Nothing’ held GAK, Bremen from November 1, 2014 till January 25, 2015.
Its initial spark originated in the framework of the exhibition ‘Up, Close & Personal’ held at Cultuurcentrum Mechelen in Mechelen from April 6 till June 16, 2013.
The premises of the Cultuurcentrum’s classical, museum styled exhibition halls serve as a container for an imaginative exhibition. The present publication lists the complete catalogue for that undertaking.
Koenraad Dedobbeleer is an artist, occasional curator and amateur publisher from Brussels, Belgium. He spends an important amount of his time in the European capital, sharing life with his wife, the no less than brilliant artist, Valérie Mannaerts and their daughter Claude Konrad Mannaerts.
03.07.2014 Launch of THE WITCHING HOUR with Richard John Jones
Edited by Anna Colin and featuring contributions from Jean-Luc Blanc, Lindsey Bull, Georges Devy & L. Dalliance, Florence Doléac, Camille Ducellier, Mary Beth Edelson, León Ferrari, Derek Jarman, Richard John Jones & Max Allen, Latifa Laâbissi, Bruce Lacey, Adolphe Lalauze, Évariste-Vital Luminais, Ana Mendieta, Anita Molinero, Preston Marie, Olivia Plender & Patrick Staff, Carolee Schneemann & Victoria Vesna, Kiki Smith and Nancy Spero.
The Witching Hour follows Witches: Hunted, Appropriated, Empowered, Queered (2012), a collection of texts and interviews which examined the witch figure as a metaphor for alterity. Conceived as its visual companion and as the catalogue of a group exhibition held at the art centre Le Quartier Quimper, the book explores the following questions: What do witches embody? What mechanisms and affects do they summon? How was this “unfortunate class”—as Jules Michelet has called them—raised to the rank of protofeminist? And what political, social and human lessons have they handed down to us?
The Witching Hour is published by Editions B-42
The launch will feature a special installation by Amsterdam based contributor Richard John Jones. This launch coincides with Jones’s solo presentation Sandberg Festival of Choices: Richard John Jones: ‘Blending Blending Never Ending’ at P L A Y S T A T I O N @ Galerie Fons Welters. On view until the 16th July.
26.06.2014 Launch of VAGUELY SPECIFIED OBJECTS by Our Polite Society
You are warmly invited to this week’s event at San Serriffe
Thursday June 26, 7.30pm — 9.30pm
Launch of VAGUELY SPECIFIED OBJECTS
A publication by Our Polite Society
This publication has been published on the occasion of Our Polite Society’s exhibition at the International Poster and Graphic Design Festival in Chaumont.
In the publication and in the exhibition in Chaumont, Our Polite Society measures the distance between their studio in Amsterdam and Chaumont. The exhibition in Chaumont and OPS’s studio are separated by three countries and an infinite number of signs. Using the train ride as a pretext, the two designers have sampled the signage forms of the Dutch, Belgian and French railway systems: an authorless visual language that is meaningless to most of the travellers and designers. Hypervisual, this vocabulary of shapes is above all encapsulated in a numerical typography. The format allows for an appropriation of the shapes by the graphic designers in real time and calls for a diffusion and an implementation by a real composition.